Film & Video is about the intersection between talent and technology. Combining exhaustive rundowns on the art and science behind A-list productions with scrappy indie success stories, it's where working filmmakers talk about new tools and changing workflows. From feature films to TV, from VFX artists and post supervisors to directors and cinematographers, F&V is about new ways to think, collaborate and create. In 2006, Film & Video became the first production magazine to go 100% digital. We now publish direct to the Web site, where readers can find new content weekly. But they still like to hear from us directly, so we push out top headlines, features, video and comment threads to our readership once a month.

Published twice monthly and targeting over 45,000 subscribers, HD/Studio connects the dots in high definition. It helps readers, from production to post, make smart decisions about HD equipment purchases and takes a plain-English approach to the complicated world of HD technology, from products and workflow to technique and creativity. When an industry goes through transition, it needs good reporting and analysis. HD/Studio focuses on the tools and applications that pros need to be aware of when taking the next step into high-def. It helps them connect the dots in HD at all points in the pipeline, from acquisition through editing, storage and display.

Studio/Direct delivers the top news, feature articles, rich media tutorials and videos from The Studio Group twice monthly. Studio/Direct goes out to over 55,000 subscribers, providing up-to-the-minute news, analysis on the latest technology, and insights into the brightest creative minds in the business. Studio/Direct has something for every craft profession in the film and television industry from production to post, from directors, cinematographers, editors and visual-effects artists to executive producers and production assistants and everything in between. It's the best way to reach production and post pros at work.

Production professionals are constantly looking for camera gear and accessories that will help them get the most out of the cameras they own. In Gear is a bi-monthly newsletter targeting over 35,000 production professionals looking for the latest and greatest camera accessories. What new products are on the horizon, and what are the specs? What are the top production pros using, and why? The answers are here, along with interviews with product managers and tips and techniques for getting the most out of the latest camera gear.

Digital artists and post-production pros are always searching for ways to invigorate their projects with exciting new looks and fresh style. When in doubt, they invariably turn first to a plug-in, the fastest and most affordable way to punch up their projects. The Plug-In Post is a bi-monthly e-newsletter targeting over 35,000 post professionals who need creative ways to extend their editing, effects and animation software, streamline their workflows, or simply infuse a project with a novel effect.

Targeting over 50,000 video pros across the production and post, corporate and public sector markets, Studio/monthly speaks directly to an independent or in-house video pro's biggest concerns — how to get the most out of the tools they use every day. Our pages are full of reviews that cut right to the return on investment, expert-written tutorials that help readers sharpen their craft, and tips and shortcuts from the people who designed their gear and software. Studio/monthly helps readers, whether part of a large production team or working on their own, create passionately, invest wisely, and stay competitive as technology races ahead. It cuts through the hype by giving producers, directors and media managers what they need most: a one-stop shop for smart advice about tools and techniques from experts, power users and readers like them.

Studiodaily.com is built on a foundation of video, rich media tutorials, and daily news. This industry moves fast, and so do we. That means you'll find new stories daily. And we're not just writing them, we're telling them at 30 fps. We've gone native, delivering more rich media than any magazine-based site in the industry. And that attracts engaged, qualified visitors, again and again each month. You'll find more video — original reporting and excerpts from the shows, spots, and clips we cover — than on any other industry "mega" site. Think of it as the go-to site for how-to.

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